GROWING UP IN SUNNISIDE
The
village of Sunniside lies 2 miles east of Tow Law. Situated on a
ridge approximately 1000’ above sea level, the settlement was
originally constructed in the late 1800s to serve the needs of the
local mining industry. At one time the village was a thriving
community with a population large enough to support a school and a
wide range of local shops, but with the demise of the coal industry
the population has dwindled and local services have been severely
curtailed.
Against all the odds the village continues to support a community
association which manages a small community centre housed in a
converted terrace of three stone houses. In addition to organising a
wide range of activities for both young and old the association is
undertaking to collect and preserve historical information about the
village. This has already begun to happen in a number of creative
ways including edited video footage of older residents reminiscing
about a variety of subjects, and a textile wall-hanging featuring
clues to the past as well as images of contemporary life. The photos
and text you see displayed on these web-pages form part of a small
exhibition which will be expanded for future dissemination in the form
of a booklet.
In
creating these web-pages we have chosen a selection of comparative
images which show both the similarities and differences between past
and present experiences of growing up. Obviously, some things never
change, like a child’s love of dressing up! However, the bleak
images of the bricked-up school gateway and the vandalised sweetie
machines tell a different, sadder story.
Each
sequence of past and present images is presented alongside an
appropriate detail from the textile wall-hanging, thereby adding
colour and extra interest to the display. The wall-hanging was made
in 1995 by residents of all ages (male and female) and contains
aspects of village life that people felt were important. Notably, it
features things which had already gone and others (such as the shop)
which were soon to disappear. Text accompanying the sequences is kept
to a minimum in the hope that the images will speak largely for
themselves.